Life, The New York Times

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About — Harriet Heyman Harriet Heyman turned to sculpture after spending many years as a writer. Her book “Private Acts: The Acrobat Sublime” (Rizzoli) focused on the art of acrobatics as a metaphor for work and the creative process. This exploration fired her obsession with form and figurative sculpture enhanced by studies with teachers from the Royal Drawing School in London. “I want gesture, movement, a sense of vitality. To me, the most satisfying pieces are those that look rough, as if just quickened from raw material. Capturing the energy of a moment takes me weeks or months. I work in clay, wax and plastiline. These days, my pieces are larger, the modeling equivalent of using more can

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